James La Brie - Impermanent Resonance (2013)

James LaBrie's  new solo album is a departure, a new chapter, where the famous Dream Theater singer is asserting himself into new territory. This album doesn't sound like Dream Theater at all, it leaves aside progressive metal and embraces short, catchy and pop infused modern metal songs with a healthy dose of heaviness and sparse harsh vocals.

Impermanent Resonance is the kind of album that will not change your life, and won't be remembered as a great album, but the good thing about it is that the song are beautifully catchy. The modern sounds and synths, the pop hooks and the vocal melodies by James LaBrie turn each song into a bright catchy (and often cheesy) experience that you just can't help but enjoy and sing along.

Personally, I prefer the heavier moments in the album when the guitars get more of a presence and the harsh vocals provided by drummer Peter Wildoer add to the music in a big way (see the video below to listen to excellent album opener Agony). 

Overall, this is a guilty sin of an album that I'm sure I will enjoy for a long time.

Rating: Good Vibrations

Lingua Mortis Orchestra featuring Rage - LMO (2013)

Behind the Lingua Mortis Orchestra is German metal band Rage, a band that remains largely unknown outside of Europe but has a long and powerful discography. Rage are seen as a German power metal band but they've never been content with doing just that and they've also made incursions into thrash, speed and progressive metal; amongst others. Not happy with that, Rage were also one of the first bands to produce an original album with an orchestra and doing so without compromising on guitars and heaviness. 

LMO is a continuation of the orchestral experiment they started back in 1996 and sees them once again in good form. The guitar riffs are powerful and heavy, the solos incredibly sharp and the rhythm section is as well oiled as you would expect from a veteran band like this. The orchestra and the band work together and mix seamlessly in a great mix of classical music and metal. The excellent (and long) opening track Cleansed by Fire (see the video below) is a great example of what to expect from this album. 

One of the problems with the album is the concept album nature of it. Unfortunately, some parts and songs lose steam. But there's plenty to like here and Rage demonstrate once again why they have always been one of the most loved German metal bands in Europe. Don't be fooled, this is an expansive album made to enjoy at home and there are plenty of killer tracks here.

Rating: Good Vibrations

Tarja - Colours in the Dark (2013)

Tarja is back with a new album and a very strong album it is; but it won't please everyone. The songs move between straight forward symphonic metal, with progressive rock touches, a dash of electronica arrangements and pop sensibilities. Tarja's voice is warm, soothing, commanding and strong and she sounds great.

Depending on how you look at it, this is Tarja's fourth album (if you count her Christmas CD) or third (personally, I wouldn't count the Christmas album) and it feels like she's finally set herself free of people's expectations and is having fun exploring new sounds and textures. This is her more experimental album and it works.

Stand out songs include, the bombastic album opening Victim of Ritual, the straight forward and pop sounding 500 Letters, the crowd pleaser Never Enough and the stirring grand melodies of Deliverance. 

I should also mention Mystique Voyage a song that reminds me of Sarah Brightman and will probably go under the radar for most Tarja fans but I found really beautiful and the closing track Medusa which is probably too long and sweeping for metal fans but I found captivating.

Overall Tarja delivers a great fusion of symphonic bombast, progressive rock, pop sensibilities and a heavy metal sound. The songs are not as accessible as her previous two albums and there's a cloak of heavy darkness all throughout the album but this is a more mature sounding Tarja, with a more experimental sound and it works. 

Rating: Heavy Rotation

Collapse Under the Empire - The Silent Cry (2013)

Originating from Hamburg Collapse Under the Empire fall into the post-rock category but this is not a band that should be dismissed and in fact stand above the general crowd.

All six songs are excellent but I would particularly highlight the opening track We Are Close As This (see the video below), a powerful track with a powerful rolling beat of drums and roaring guitars. The title track The Silent Cry, a perfectly crafted song that builds up with excellent arrangements and guitar work to end with an orchestral 'soundtracky' passage. And Ashfall which packs big drums, strings and a lot of power. 

In many ways this is straight forward post-rock but what sets Collapse Under the Empire apart is their incredibly cinematic sound. Their music really feels like the fitting accompaniment to a film. The band has achieved a great balance of quieter and harder moments with an ever present dark brooding tension. 

Excellent release from the band.

Rating: Heavy Rotation

Ayria - Plastic Makes Perfect (2013)

Originating from Canada Ayria's music is a mix of future pop and EBM with hints of electro-industrial aggressiveness here and there. Plastic Makes Perfect is her fourth album and it's a pretty solid release.

The highlights of the album are, at least to me, her more aggressive tracks, particularly opener Hunger and Plastic Makes Perfect (see video below). On the lighter, more melodic side I'd highlight Three Months, Missed the Mark and the particularly danceable Big City Lullaby. 

The album has it's ups and downs but there's plenty to enjoy here and the mix of future pop, EBM and more aggressive moments is well balanced.   

Rating: Good Vibrations

Belako - Eurie (2013)

Originating from the Basque Country, Belako is a new and very young band. The band successfully mixes a classic indie sound (think Sonic Youth or The Pixies) with punk rock sensibilities and some lo-fi electronic touches. 

Eurie is their debut album, it's self produced and packed with energy, fuzzy, crunchy guitars and great songs. Opening track Sea of Confusion, Haunted House (see the video below) and Zaldi Baltza are my particular highlights but there are no fillers here. 

I can't say that this is a classic, Belako still have room to grow but it's a very impressive debut for these youngsters.

You can buy the album directly from their Bandcamp here

Rating: Good Vibrations

Sirenia - Perils of the Deep (2013)

Sirenia has been around for a long time. In fact, Sirenia main man Morten Veland was one of the founders of Tristania. The band has been too unstable in terms of band members and singers and this has affected their output, but this is the third album with singer Aylin and it's a killer. 

The album opens with a beautiful intro playing on classical music, opera and gothic sounds. The second track is Seven Widows Deep (see the video below), which is one of the highlights of the album and is a perfect example of all the best Sirenia has to offer. Brutal riffs, soaring vocals, strong harsh vocals, choral arrangements and symphonic flourishes. The song is heavy, dark and strong but also melodic and beautiful.

This is Sirenia's most varied album. It harks back to the sound of their older albums but also explores new ground. Ditt Endelikt fo instance is a surprisingly straight forward and uplifting rock song with catchy hooks and licks and Morten Veland singing clean. On the other hand Stille Kom Doden is a twelve minute long song with an assured doom tone that also delivers the most beautiful melodic passages of the album. 

Both Morten Veland and Aylin have obviously worked incredibly hard the last two years. The songs are top notch and Aylin's voice has grown enormously. This is a killer album that should make Sirenia fans happy but will also hopefully propel the band to the next level. They certainly deserve it. 

Rating: Heavy Rotation