Aoria - The Constant (2012)

 

The Constant by Aoria is an excellent album of melancholic and sweeping alternative rock with shades of post-rock.

Listen to opening track below and visit their Bandcamp here

Black Moth - Condemned to Hope (2014)

Originating from Leeds in the UK, Condemned to Hope is Black Moth's second album and what an amazing album it is right from the start to the very end without ever faltering one bit. It's been an incredibly long time since I've heard a rock album as accessible, raw, intense and addictive as this. 

Black Moth's music is hard to define. The band successfully mixes sludge metal and doom elements with alternative/indie rock. The bass and drums create a solid base that gives the band depth and intensity. The guitars roar with a straight rock edge and Harriet's vocals tie everything up with a raw and honest voice that instantly hooks you in. 

I bumped into this band by accident and now I simply cannot stop listening to this incredible album. Condemned to Hope is an absolute treasure of an album, one that feels raw, honest and above all incredibly inspired. 

Highlights: The whole bloody album!

Rating: Heavy Rotation

Anathema - Distant Satellites (2014)

Distant Satellites is Anathema's tenth studio album in a long career that has seen them evolve from doom metal to uplifting progressive rock with an ever present touch of melancholy. Whilst the previous two albums showed a considerable progression in their sound, Distant Satellites feels like a distillation of their sound since 2001's A Fine Day to Exit at the same time that it takes another bold step forward.

The band continues their journey into minimalism, something that's even more prevalent than in their previous two albums. The sound and arrangements have been stripped down and the structure of songs follows a driven crescendo more akin to post-rock music. The album opener is a prime example of this, The Lost Song Part I is a song that builds and builds in a clear progression until it completely explodes. It's very post-rock but it's also very much what Anathema has been doing for a while now. 

The album uses symphonic elements creating atmosphere and beautiful calm passages to great effect. Some of the guitar work harks back to A Fine Day to Exit, for example in Dusk (Dark is Descending), and some of the more ambient and electronic moments bring A Natural Disaster to mind, but Distant Satellites brings all these elements together with a more assertive, dressed down approach than ever and a more electronic sound that brings Radiohead to mind (something that was already present in parts of A Natural Disaster but it's more present than ever here).

Distant Satellites works best as an album. It's the whole experience rather than a collection of songs. Songs like Anathema and The Lost Song Part III are best experienced and understood in the context of what has come before. Having said that some highlights include the album opener The Lost Song Part I, a classic Anathema song that starts quietly, grows in power and explodes into an incredible wall of sound; the atmospheric and gentle Ariel and the darker shade that The Lost Song Part III (you can listen to the track below). 

But the last two songs in the album deserve a special mention. The title track, Distant Satellites, is an eight minute bold song that is jam packed with atmosphere, electronica and symphonic elements. It feels like this driven and fascinating song breaks with the past and presents a new Anathema. A feeling that continues with the closing track Take Shelter. It opens with a very quiet atmosphere and Vincent's fragile and hauntingly beautiful vocals then grows into an upbeat second half with electronic drums, leaving the listener with a powerful uplifting sensation. Both songs sound like Anathema but offer a new sound, a new side to the band, perhaps a sign of things to come, and they're my favourite songs.

The band has changed dramatically from their early years. Anathema has evolved from dark into light but there's still a strong sense of power, doom and melancholy even in their most uplifting moments. Distant Satellites is their tenth album and it successfully distills everything Anathema has been working on since A Fine Day to Exit at the same time that it takes a bold step forward. 

Perhaps some people will not be receptive to what Distant Satellites has to offer wanting the band to go back to what they were doing 15 to 20 years ago but that's their loss. I can't stop listening to this album and Anathema present once again what will surely be one of the best albums of the year.

Rating: Heavy Rotation

Please note, an interview to lead singer Vincent Cavanagh will be posted soon. This will be the very first interview for this blog, with many more to come - I hope! 

††† Crosses (2014)

This album by Crosses gathers all the songs from their previous two EPs plus five new ones, that would've made the third EP. Presented all together here they form an excellent debut full length album that despite it's nature (three EPs in one) sounds cohesive.

The album opener This is a Trick gives a very good indication of what this album is about. This is dark electro rock, with soothing soundscapes, a touch of retro electronic sounds and a little dose of rock. From then on, the album dances between more electronic beats, straight pop melodies and more driven rock moments.

Most people will come to listen to this album for Chino Moreno, from Deftones, and his vocals are the central driver of this album. His excellent vocal range and silky vocals are used to incredible effect but there's are also new shades to his voice here, at times sounding very positively uplifting and pop. 

The album presents a great collection of songs and it's hard to choose stand outs but I would like to highlight the chill out and beautiful Trophy, which is followed by delicious pop song The Epilogue and the rockier Telepathy.

Rating: Heavy Rotation

Placebo - Loud Like Love (2013)

Placebo's seventh album will probably not make new fans and may disappoint some old fans but the album is refreshingly good, updating the band's sound, heading into a new direction, whilst remaining true to Placebo. The band has matured, it has softened but there's plenty to like here.

Album opener Loud Like Love is classic Placebo and it's a brilliant and catchy song. Too Many Friends is a beautiful piece of pop-rock music. Other songs worth mentioning are A Million Little Pieces, Begin the End and album closing Bosco. But the best song in the album must be Hold on to Me. Stuck towards the middle of the album, it shows the more introspective and mellow sound of the band and it's a resounding success; beautiful and uplifting. 

Overall, this is a solid effort from Placebo. Some songs offer more of the same and the feeling that you've heard this before but better creeps in. It must be said though that the album have no fillers. No song is a waste. I can't see myself fast forwarding any track, not now and not in the future.

Best of all though, the songs mentioned above are real standouts and point to a new direction; a band that is at its best when it gets introspective with a more mature, mellow, gentle and uplifting sound.

Rating: Heavy Rotation

Belako - Eurie (2013)

Originating from the Basque Country, Belako is a new and very young band. The band successfully mixes a classic indie sound (think Sonic Youth or The Pixies) with punk rock sensibilities and some lo-fi electronic touches. 

Eurie is their debut album, it's self produced and packed with energy, fuzzy, crunchy guitars and great songs. Opening track Sea of Confusion, Haunted House (see the video below) and Zaldi Baltza are my particular highlights but there are no fillers here. 

I can't say that this is a classic, Belako still have room to grow but it's a very impressive debut for these youngsters.

You can buy the album directly from their Bandcamp here

Rating: Good Vibrations

Nosound - Afterthoughts (2013)

Originating from Italy Giancarlo Erra (the heart of Nosound) has been busy creating outstanding music for the last decade but Afterthoughts, contrary to the name of the album is no afterthought at all; I'd say this is the best Nosound album yet. 

The band is often seen as progressive rock but Afterthoughts has no complex rhythm changes and structures, instead the music is deceivingly complex in its simplicity and the focus is on atmosphere. 

Every single track in the album is there for good reason. The album flows seamlessly from hauntingly beautiful landscape to landscape with melancholic force and occasional, simmering, contained anger. The guitars, drums, percussion, keyboards and cello create hypnotic layers that sound simple and complex, symphonic but organic and grounded, never pompous.

I dare say that this will surely have to be one of the best albums this year. An outstanding effort from start to end.

The band release Wherever You Are as the single (see the video below), but I couldn't contain myself and I've also put the first song in the album which is my particular favourite.

Rating: Heavy Rotation

Your Favorite Enemies - Between Illness and Migration (2013)

Originating from Canada, Your Favorite Enemies is an uncompromising indie rock band with a challenging sound that will not leave anyone indifferent. 

Between Illness and Migration presents a great collection of songs, heavy on distortion and noise, but with enough variety. Most of their songs are built on carefully crafted feedback and noise, but there's always a strong sense of melody with occasional acoustic guitars and piano coming to the fore. 

My particular highlights must be the towering Empire of Sorrows, the more straight forward and rocking Where Did We Lose Each Other (see the video below), the quieter and beautiful Little Sister and the excellent bonus track Old Noisy Friend. 

For anyone who likes indie rock, alternative rock and noise rock with a healthy balance of melody and walls of noise, this is a challenging and ultimately hugely rewarding album. 

I can only imagine what these guys will be like live but judging from their album and some videos online, they must be absolutely incredible.

Rating: Heavy Rotation

Billy Bragg - Tooth and Nail (2013)

Tooth and Nail is classic Billy Bragg but with a couple of different shades. Firstly, the political tones are still here, it wouldn't be him without politics, but they are subtler and the lyrics tend to be more intimate. Secondly, he continues his progression towards a more American sound. I don't like country music and there's a tinge of it here, but thankfully it works.

I wouldn't say the single (see the video below) is one of the best songs, but then again they hardly ever are. The album is packed with great songs but my particular highlights are the following. 

January Song, the album opener, a beautifully succinct and personal song that sets the tone for the whole album. Handyman Blues, a great song with a beautiful guitar hook that will stay with you. Goodbye Goodbye, a beautiful, haunting and melancholic folk song that speaks from the heart. The Reckoning, a classic Billy Bragg political song with an upbeat, uplifting tone. And, finally, Tomorrow's Going to Be a Better Day closing the album.

Add to all this a Woody Guthrie cover of I Ain't Got No Home (following the trail of Mermaid Avenue albums with Wilco) and you have an album that is soothing and uplifting.

Rating: Heavy Rotation

The Drones - I See Seaweed (2013)

What an extraordinary and challenging album! I See Seaweed is epic, dirty, angry and beautiful. I suspect this could be one of those albums that you either hate or love. Personally, I love it.

The Drones throw a challenge to the listener with every song here. From gentle simmering songs full of underlying anger and distortion, to punk-rock with warped guitars. 

I See Seaweed is simply brilliant and it's time the rest of the world pays attention to this fiercely independent band.

Rating: Heavy Rotation