While Heaven Wept - Suspended at Aphelion ( 2014)

Suspended at Aphelion is an outstanding epic album that takes you on a big journey. The songs follow each other smoothly and the album is best enjoyed as a whole. 

While Heaven Wept has managed to create an album with layers upon layers of greatness. An album that is subtle, complex and bold.

Rating: Heavy Rotation 

Opeth - Pale Communion (2014)

Opeth's Pale Communion is an outstanding album. This is progressive rock of the highest order with a perfect mix of progressive rock, 70s style and a little dose of folk. 

The album follows the style of Heritage and Damnation. It's clear right from the start that Mikael Akerfleldt has placed emphasis on melody and the album is filled with beautiful, poignant and memorable moments. 

Highlights: the last two songs of the album, Voice of Treason and Faith in Others.

Rating: Heavy Rotation

Anathema - Distant Satellites (2014)

Distant Satellites is Anathema's tenth studio album in a long career that has seen them evolve from doom metal to uplifting progressive rock with an ever present touch of melancholy. Whilst the previous two albums showed a considerable progression in their sound, Distant Satellites feels like a distillation of their sound since 2001's A Fine Day to Exit at the same time that it takes another bold step forward.

The band continues their journey into minimalism, something that's even more prevalent than in their previous two albums. The sound and arrangements have been stripped down and the structure of songs follows a driven crescendo more akin to post-rock music. The album opener is a prime example of this, The Lost Song Part I is a song that builds and builds in a clear progression until it completely explodes. It's very post-rock but it's also very much what Anathema has been doing for a while now. 

The album uses symphonic elements creating atmosphere and beautiful calm passages to great effect. Some of the guitar work harks back to A Fine Day to Exit, for example in Dusk (Dark is Descending), and some of the more ambient and electronic moments bring A Natural Disaster to mind, but Distant Satellites brings all these elements together with a more assertive, dressed down approach than ever and a more electronic sound that brings Radiohead to mind (something that was already present in parts of A Natural Disaster but it's more present than ever here).

Distant Satellites works best as an album. It's the whole experience rather than a collection of songs. Songs like Anathema and The Lost Song Part III are best experienced and understood in the context of what has come before. Having said that some highlights include the album opener The Lost Song Part I, a classic Anathema song that starts quietly, grows in power and explodes into an incredible wall of sound; the atmospheric and gentle Ariel and the darker shade that The Lost Song Part III (you can listen to the track below). 

But the last two songs in the album deserve a special mention. The title track, Distant Satellites, is an eight minute bold song that is jam packed with atmosphere, electronica and symphonic elements. It feels like this driven and fascinating song breaks with the past and presents a new Anathema. A feeling that continues with the closing track Take Shelter. It opens with a very quiet atmosphere and Vincent's fragile and hauntingly beautiful vocals then grows into an upbeat second half with electronic drums, leaving the listener with a powerful uplifting sensation. Both songs sound like Anathema but offer a new sound, a new side to the band, perhaps a sign of things to come, and they're my favourite songs.

The band has changed dramatically from their early years. Anathema has evolved from dark into light but there's still a strong sense of power, doom and melancholy even in their most uplifting moments. Distant Satellites is their tenth album and it successfully distills everything Anathema has been working on since A Fine Day to Exit at the same time that it takes a bold step forward. 

Perhaps some people will not be receptive to what Distant Satellites has to offer wanting the band to go back to what they were doing 15 to 20 years ago but that's their loss. I can't stop listening to this album and Anathema present once again what will surely be one of the best albums of the year.

Rating: Heavy Rotation

Please note, an interview to lead singer Vincent Cavanagh will be posted soon. This will be the very first interview for this blog, with many more to come - I hope! 

Vanishing Point - Distant is the Sun (2014)

Originating from Melbourne, Australia, Vanishing Point are now a veteran band with this their fifth release and, after a long hiatus, they're back with Distant is the Sun, an excellent album that builds on their past sound and expands it to fuller, more epic music. Vanishing Point have always stood out to me as a band that right from the start sounded unique, like no other. They've evolved across albums, expanded their sound while staying true to themselves and Distant is the Sun is the next assured step in their discography.

The album opens with an intro that leads into King of Empty Promises, a song that mixes perfectly their classic mixture of melodic metal, with a little dose of power metal and progressive flourishes. It's obvious from the very start that the band has made an effort to incorporate a fuller orchestral sound with great arrangements that add texture to the songs, making this the most epic sounding Vanishing Point album to date.

The guitar work, as it should be expected from VP, is top notch. The guitar solos are perfectly measured and the progressive flourishes always keep the songs interesting. Silvio Massaro's vocals sounds as solid as ever, with a great mix of powerful high vocals, heightened by a good use of harmonies and a good deal of emotion in his voice.

I can't really say which songs stand out as every single one of them speaks to me in different ways, but at the moment, I would highlight the opener King of Empty Promises, the fast and hard hitting Circle of Fire (with guest vocals by Tony Kakko from Sonata Arctica), the incredibly infectious When Truth Lies, the more expansive and classic VP sounding Pillars of Sand and the powerful Walls of Silence.

Vanishing Point's greatest achievement, to me, is that the band always sounds fresh, melodic, easy, catchy, but it's at the same time creative, full of twists and unafraid to take risks. Overall, Distant is the Sun is an outstanding album for fans of melodic, progressive and power metal. The songs are fresh and catchy but at the same time display enormous complexity and depth. It's too early to say this will be the metal album of the year for me but (though I would love to be surprised) it will be very hard to top this one.

Rating: Heavy Rotation

Tarja - Colours in the Dark (2013)

Tarja is back with a new album and a very strong album it is; but it won't please everyone. The songs move between straight forward symphonic metal, with progressive rock touches, a dash of electronica arrangements and pop sensibilities. Tarja's voice is warm, soothing, commanding and strong and she sounds great.

Depending on how you look at it, this is Tarja's fourth album (if you count her Christmas CD) or third (personally, I wouldn't count the Christmas album) and it feels like she's finally set herself free of people's expectations and is having fun exploring new sounds and textures. This is her more experimental album and it works.

Stand out songs include, the bombastic album opening Victim of Ritual, the straight forward and pop sounding 500 Letters, the crowd pleaser Never Enough and the stirring grand melodies of Deliverance. 

I should also mention Mystique Voyage a song that reminds me of Sarah Brightman and will probably go under the radar for most Tarja fans but I found really beautiful and the closing track Medusa which is probably too long and sweeping for metal fans but I found captivating.

Overall Tarja delivers a great fusion of symphonic bombast, progressive rock, pop sensibilities and a heavy metal sound. The songs are not as accessible as her previous two albums and there's a cloak of heavy darkness all throughout the album but this is a more mature sounding Tarja, with a more experimental sound and it works. 

Rating: Heavy Rotation

Palms - Palms (2013)

Palms is a kind of superband with members of Isis and Deftones' Chino Moreno as frontman. Expectations were high for the album and the band delivers but perhaps not in a way that will satisfy everyone.

The album moves at a slow pace like a small boat sailing gently through a pristine calm ocean. This is a dreamy kind of post-rock concerned with mood and atmosphere rather than riffs and Chino Moreno's silky vocals suit the music perfectly. The songs are also quite long with progressive rock tendencies. 

Some may find the calm and quiet of these songs boring, there's no metal here, no big guitar bursts (well a few really well measured ones), but the album is so beautiful, soothing and uplifting that I personally would nominate the ten minute long Mission Sunset as my particular highlight. 

I love everything Deftones has done but I've always wanted Deftones to explore their more melodic and dreamy side in one album. Forget about metal, consider it a one time experiment and just go with it. I don't think that will ever happen but this album gives me a bit of an idea of what it could sound like.

Palms may not be for everyone, some will miss bigger guitar moments, but I'm captivated by the utter beauty of this debut album and I hope there's more to come. This debut album is a triumph in every possible way.

Rating: Heavy Rotation

Nosound - Afterthoughts (2013)

Originating from Italy Giancarlo Erra (the heart of Nosound) has been busy creating outstanding music for the last decade but Afterthoughts, contrary to the name of the album is no afterthought at all; I'd say this is the best Nosound album yet. 

The band is often seen as progressive rock but Afterthoughts has no complex rhythm changes and structures, instead the music is deceivingly complex in its simplicity and the focus is on atmosphere. 

Every single track in the album is there for good reason. The album flows seamlessly from hauntingly beautiful landscape to landscape with melancholic force and occasional, simmering, contained anger. The guitars, drums, percussion, keyboards and cello create hypnotic layers that sound simple and complex, symphonic but organic and grounded, never pompous.

I dare say that this will surely have to be one of the best albums this year. An outstanding effort from start to end.

The band release Wherever You Are as the single (see the video below), but I couldn't contain myself and I've also put the first song in the album which is my particular favourite.

Rating: Heavy Rotation

Amorphis - Circle (2013)

Amorphis is one of those bands that has been around for a very long time, delivering consistently good albums and, somehow, managing to always remain underground. Circle is their 11th album and it shows what an accomplished band they are.

Their sound is epic and yet grounded. The melodic hooks and complexity of the songs demonstrate their musicianship and experience. 

The band's trademark sound mixes death and doom metal, with folk and progressive elements. This album is no different, but it contains more straight forward and accessible songs whilst still maintaining a powerful and heavy sound.

Circle is not mind blowing but it is consistently good. It's definitely a strong and accomplished album that seems more accessible than their previous efforts and will hopefully bring them new fans. I can think of few bands more deserving.

Rating: Good Vibrations

Stratovarius - Nemesis (2013)

When bands have been around a long time, it's often hard to keep momentum. The task is even more difficult when at one time you became one of the iconic bands of your particular genre. That's what happened to Stratovarius. 

In the late 90s they were one of the biggest European power metal bands, with excellent albums such as Episode and Visions. They never recovered and the band drowned in fights amongst members. 

There were signs of a slow recovery, in the previous album, but Nemesis is a huge leap in quality. This is an excellent album from start to end. The songs are modern, fast, fierce and yet still have all the classic characteristics that made Stratovarius stand out. Melodic power metal with a little prog touch. 

This is, undoubtedly, the best Stratovarius album since Visions.

Rating: Heavy Rotation

PS: Warning, the video is quite bad... but the song is great

Dante - November Red (2013)

This is the first Dante album I listen to and now I'm forced to find their previous two albums. Originating from Germany, Dante's music is progressive metal, with a heavy foundation and a little tinge of gothic melancholia here and there.

The songs are long and epic and hauntingly beautiful, listen to the album's opening track below to feel the full epic awesomeness of this band.

Rating: Heavy Rotation